Below are theses and dissertations completed by graduates of the University of Nevada Las Vegas College of Fine Arts.

For the entire collection of UNLV theses and dissertations, visit UNLV Theses, Dissertations, Professional Papers, and Capstones

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Theses/Dissertations from 2016

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A Performance Analysis of Dorothy Rudd Moore's Sonnets on Love, Rosebuds, and Death, Cordelia Elizabeth Anderson

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Interpreting Schubert Lieder through Transcription: Four Composers’ Techniques in Solo Piano Transcriptions of Lieder from Die schöne Müllerin, Spencer Baker

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Viktor Kosenko's Piano Cycle Eleven Etudes in the Form of Old Dances, Ekaterina Bessmeltseva

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Water Harvesting Methods and the Built Environment: The Role of Architecture in Providing Water Security, Adam Joseph Bradshaw

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An Annotated Bibliography of Beginning and Intermediate Solo Bassoon Literature, Kim Kehau Chai

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Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network to Create Concerto Pour Flute et Piano and Sonate Pour Flute et Piano, Kelly A. Collier

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Identify an Ideal Residential Wall Assembly for Las Vegas Climate Considering Construction Cost, Energy Performance and Embodied Energy, Johny Corona

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Original Chamber Percussion Works for Silent or Silenced Film in Live Performance, James William Doyle Iii

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How Queer!: Camp Expression in Francis Poulenc's Trio for Oboe, Bassoon, and Piano, Kevin Ryland Eberle

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Theater Education: Thinking Outside of the Black Box, Raheve Gray

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Collaborative Writing for Commercial Musical Theatre, Alexandra Grill-Childers

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Efficient Strategies for Playing the Horn, Jon Allan Holloway

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Applied Anatomy in Music: Body Mapping for Trumpeters, Micah Holt

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Pansori, Bomi Kang

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The Big Band and the Piano: Nikolai Kapustin’s Variations Op. 41, Ryan Kelly

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Shostakovich's Ninth Symphony: An Analytical Exploration and Keys to Interpretation, Phillip Lenberg

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Four Sonnets by Pablo Neruda, sets 1 and 2, by Judith Cloud, for High Voice and Piano: A Performer’s Perspective, Sheronda Levonne Mckee

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Rhinestones in the Desert: The Rise and Fall of the Las Vegas Showgirl and the Productions That Shaped Her, Diane Marie Palm

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Image, Narrative, & Concept of Time in Valerie Capers's Song Cycle Song of the Seasons, Lillian Channelle Roberts

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Yiddish Diction in Singing, Carrie Suzanne Schuster-Wachsberger

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George Crumb’s Personal Response to the Golden Age of Social Activism: Night of the Four Moons, Black Angels, and Vox Balaenae, Yi Ling Tsai

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Kimmo Hakola's Diamond Street and Loco: A Performance Guide, Erin Elizabeth Vander Wyst

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Innovative Fiber Optic/Thin Film Photovoltaic Systems: Adequately Distributing Daylight While Harvesting Energy, Sean Steven Zurko

Theses/Dissertations from 2015

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Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis, William George August Mccullough

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A Performer's Guide to Dean Gronemeier's Nature Alley, Lonny James Benoit

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Les Chansons de Bilitis: A Symbiotic Collaboration between Two Artists Claude Debussy and Pierre Louys with an Annotated Performance Guide and Original Translations, Carmella Tian Ming Cao

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What is the Best Residential Roof Assembly for the U.S. Desert Southwest, with Respect to Cost, Energy Efficiency and Embodied Energy Concerns, John Joseph Carroll

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The Changing Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio, Jennifer Beth Iles

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Design Guideline to Select Systems and Strategies to Achieve Adequate Indoor Air Quality in the Mojave Desert Climate Region, Nicholas Robert Williams Inouye

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What Is Hip? David Garibaldi: His Musical Life, His Influences, and His Contributions, Jeremy Tait Meronuck

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African American Student Theatre Organization Involvement and the College Experience at the University of Nevada, Las Vegas, Crestcencia Lynn Ortiz-Barnett

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Architectural form, orientation, and energy for residential design in the Southern Nevada region., Ludwing Vaca

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From Paper to Podium: Exploring the Gap between University Training and Professional Experience in Orchestral Conductors, Rachel L. Waddell

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Zwischenfach – a Distinct Voice Type: A Study of Fach through Specific Roles in the Works of Richard Wagner and Richard Strauss, Stephanie Weiss