Theses/Dissertations from 2023
An Exploration of Popular Tenor Audition Arias and a Guide to Selecting Opera Audition Repertoire, Tung Kei Lam
Robert Starer and His Music, with a Focus on Solo Works for Trumpet, Allison Mcswain
Kazimierz Serocki’s Trombone Concerto: Prominent Work in Post-War Poland, Dawid Mzyk
A Comparison of the Traditional Chinese Vocal Style and Western Bel Canto Singing, Jie Pan
Polish Nationalism and the Flute Sonatina: The Influence of Folklore on Inter-War Composers Tadeusz Kassern, Wojciech Kilar and Aleksander Tansman, Marta Plominska
The Issue of Communicability in Guerra-Peixe’s 1947 Solo Violin Works, Lucas Henrique Teixeira Martins
Asian Culture in Western Music: Piano Music by Tan Dun and Bright Sheng, Guqi Zhang
Theses/Dissertations from 2022
Developing Vocal Agility of Light Lyric Coloratura Soprano Voices Through the Neglected Repertoire of French Opéra Comique, Valentine Baron
The Influence of Volga Tatar Folk Music and Soviet Cultural Policies on the Orchestral Composers of Kazan, Jane Katherine Brown
A Performer’s Guide to Richard Danielpour’s Spirits In The Well: A Cycle of Four Songs for Soprano and Piano with Lyrics by Toni Morrison, Christina Louise Chenes
Ukrainian Violin Sonata: Performance Analysis of Sonatas for Violin and Piano by Naum Lapynsky and Mykola Silvansky, Oleksiy Hamov
Yusef Lateef, Autophysiopsychic Music and Oboe Performance, Ellen Hummel
Study of Narrative Effects of Each Instrumental Group in Exemplum: In Memoriam Kwangju by Isang Yun, Jeahyun Jo
Jazz Sampling Hip Hop: A View of the Expanded Rhythm Section and the Musical Interactions Between Musicians and Machines, Molly Kaylynn Redfield
A Performance Guide for Four Songs by Francisco Mignone, Amanda Mara Rizzotto Vidal Pessoa
Violin Performance Influences of Fritz Kreisler, Walter Daniel White
Lawrence T. Odom: Techniques and Commentary on Arranging for the Wind Band, Clinton L. Williams
Theses/Dissertations from 2021
An Orchestral Percussionist's Guide to Instruments of the Caribbean, Lucas Brust
Yellow River Piano Concerto, Yaxin Chen
Use of Conductor Directives in Rehearsals by Conductors of Professional Music Ensembles, David Coyner
The Archetypal Female Image in Chinese National Opera: A Study of Xi Shi, Xin Guo
Preparation to Performance: A Conductor’s Journey to the Podium, Geoffrey B. Neuman
Dimitri Mitropoulos a Champion of New Music, Ioannis Protopapas
The Beat of a Subculture: A Study of the History and Impact of Non-pitched Percussion in Early Hip-hop, Jeffrey Michael Taylor
The Butterfly Lovers’ Violin Concerto (1959), Ying Zhang
The Bridge from Etude to Repertoire: Hermann Six Concert Studies, Op. 18, Yuxin Zhao
Theses/Dissertations from 2020
Sacred Song Sisters: Choral and Solo Vocal Church Music by Women Composers for the Lenten Revised Common Lectionary, Lisa Elliott
Rusalka and the Snow Maiden: A Comparative Study of Two Fairytale Operas, Olivera Gjorgoska
Escaping Time: Messiaen’s Musical Language, Religious Symbolism, and Undermining Time in Quatour Pour La Fin Du Temps, Sarra Elizabeth Hey-Folick
The Child Dreams: An Examination of Gil Shohat’s Adaptation of Hanoch Levin’s Play, Karin Hochman
The Musical Style and the Cultural Connotation of Bright Sheng's Opera 'Dream of the Red Chamber', Xirui Huang
The Cello Concertos of Karl Davydov (1838–1889): Historical Context and Pedagogical Rol, Adam Matthew Stiber
Beginning the Baroque Bassoon: A Contemporary Approach, Elizabeth Ellen Valvano
Developing the Young Dramatic Soprano Voice Ages 15-22, Monica Ariane Williams
Theses/Dissertations from 2019
One-Handed Works: Historical Background, Injury Awareness and a Study of Selected Works, Zheni Georgieva Atanasova
Mozart's "Mezzos": A Comparative Study Between Castrato and Female Roles in Mozart's Operas, Erin Gonzalez
Illuminating Unsung Americans Sung as a Musical Staple within American Culture, Richard Leon Hodges
Florence B. Price's Compositional Style to Song Settings of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide, Daniel Joseph Hunter Jr
The Historical and Cultural Influences of Gagok 가곡 (Korean Art Song): A Musical Guide, Sarah Kim
Casting for Success: Building Teams for Regional Operatic Productions, Keri Rusthoi
George Gershwin's Concerto in F: A Wind Orchestra Transcription with Historical Context and Transcription Techniques, Andrew Smouse
Balys Dvarionas: A Brief History, Analysis of His Concerto For Horn and Orchestra, and the First Recording of the Concerto, Jonathan Lewis Snyder
Bridging the Gap: An Introduction to Jazz Improvisation and the Application of Manipulating Composed Content for Classical Percussionists, James Douglas Whiting
Theses/Dissertations from 2018
The Synthesis of Balkan Folk Tunes in the Music of Vlastimir Nikolovski and Alexander Vladigerov, Dejan Daskalov
114 Years in Oblivion: The History and Development of International Flute Festivals in Central America, Dafne Zenice Guevara
Spiritual Roots and Classical Fruits: A Stylistic Analysis and Performance Guide of Selected Spirituals and Art Songs by Jacqueline Hairston, Phillip Lewis Newell Harris
Leonardo Balada and Surrealism in Music, Ivan Ivanov
Beyond the Melting Pot: An Anthology of Modern Art Song by Immigrant Composers in America, Kathryn Omune
The Life of a Marimba Master: Zeferino Nandayapa Ralda; Composer, Band Leader, Soloist, Lindsay Michelle Whelan
Theses/Dissertations from 2017
Going Old School: Using Eighteenth Century Pedagogy Models to Foster Musical Skills and Creativity in Today's Students, Monique Arar
Finding the Shakespeare in Ambroise Thomas' Hamlet: A Comparison of Plot and Character in the Seventeenth-century English Play and the Nineteenth-century French Opera, Bonita Elissa Bunt
Etudes for the Bassoon: An Annotated Bibliography and Pedagogical Guide, Eric Joaquin Fassbender
John Philip Sousa and the Wagner Overture: A New Transcription of the Overture to Der fliegende Holländer for Wind Orchestra, Stephen H. Goldeck
An Analysis and Band Transcription of Eric Whitacre's The River Cam, Charles Amon Maguire
Grand Solo Op.14 & Rondo Op2. N3: The Sonority of the Classical Era, Hugo Maia Nogueira
Songs of the Cajuns: A History and Analysis of Joie de vivre: Five Impressions of Acadian-America, Wendy Kay Moss
Cultural Influences upon Soviet-Era Programmatic Piano Music for Children, Maria Pisarenko
Crossover Trumpet Performance: Jazz Style and Technique for Classical Trumpeters, Kevin Christopher Tague
Of Sharks and Spaceships: The Role of the Tuba in John Williams's Film Scores for Jaws and Close Encounters of the Third Kind, Stephen Davis Turner
Theses/Dissertations from 2016
A Performance Analysis of Dorothy Rudd Moore's Sonnets on Love, Rosebuds, and Death, Cordelia Elizabeth Anderson
Viktor Kosenko's Piano Cycle Eleven Etudes in the Form of Old Dances, Ekaterina Bessmeltseva
An Annotated Bibliography of Beginning and Intermediate Solo Bassoon Literature, Kim Kehau Chai
Original Chamber Percussion Works for Silent or Silenced Film in Live Performance, James William Doyle III
How Queer!: Camp Expression in Francis Poulenc's Trio for Oboe, Bassoon, and Piano, Kevin Ryland Eberle
Efficient Strategies for Playing the Horn, Jon Allan Holloway
Applied Anatomy in Music: Body Mapping for Trumpeters, Micah Holt
The Big Band and the Piano: Nikolai Kapustin’s Variations Op. 41, Ryan Kelly
Shostakovich's Ninth Symphony: An Analytical Exploration and Keys to Interpretation, Phillip Lenberg
Four Sonnets by Pablo Neruda, sets 1 and 2, by Judith Cloud, for High Voice and Piano: A Performer’s Perspective, Sheronda Levonne Mckee
Image, Narrative, & Concept of Time in Valerie Capers's Song Cycle Song of the Seasons, Lillian Channelle Roberts
Yiddish Diction in Singing, Carrie Suzanne Schuster-Wachsberger
George Crumb’s Personal Response to the Golden Age of Social Activism: Night of the Four Moons, Black Angels, and Vox Balaenae, Yi Ling Tsai
Kimmo Hakola's Diamond Street and Loco: A Performance Guide, Erin Elizabeth Vander Wyst
Theses/Dissertations from 2015
Models for Beethoven's An die ferne Geliebte, Op. 98: A Stylistic Analysis, William George August Mccullough
A Performer's Guide to Dean Gronemeier's Nature Alley, Lonny James Benoit
Les Chansons de Bilitis: A Symbiotic Collaboration between Two Artists Claude Debussy and Pierre Louys with an Annotated Performance Guide and Original Translations, Carmella Tian Ming Cao
The Changing Role of the Bass Clarinet: Support for Its Integration into the Modern Clarinet Studio, Jennifer Beth Iles
What Is Hip? David Garibaldi: His Musical Life, His Influences, and His Contributions, Jeremy Tait Meronuck
From Paper to Podium: Exploring the Gap between University Training and Professional Experience in Orchestral Conductors, Rachel L. Waddell
Zwischenfach – a Distinct Voice Type: A Study of Fach through Specific Roles in the Works of Richard Wagner and Richard Strauss, Stephanie Weiss
Theses/Dissertations from 2014
A Critical Edition and Trumpet Ensemble and Keyboard Reduction of Philipp Jakob Rittler's Sonata à 17 and Sonata à 18, Justin Lee Bland
Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan, Pei-Ning Ku
The Percussionist Bodybuilder: Optimizing Performance Through Exercise and Nutrition, Anthony Joseph Merlino
The Percussion Music of Donald Martino, Glenn Webb
Theses/Dissertations from 2013
The Second Oboe Concerto of Sir William Herschel: A New Performance Edition, Matthew Thomas Guschl
Paul Moravec: Polystylism in Cool Fire (2001), Jennifer Kuk-Bonora
A Historical Examination: The Role of Orchestral Repertoire in Flute Pedagogy, Donald William Malpass
Theses/Dissertations from 2012
Johannes Brahms, Vierzehn Deutsche Volkslieder, WoO 34, Nos. 1-14, An Arrangement, Transcription and Pedagogical Rationale for Wind Band, Robert Logan Biles
Kristian Lindeman, Chansons Sentimentales: A Wind Orchestra Arrangement with Accompanying Historical Background and Commentary, Rod L. Henley
An Examination of the Compositional Style of Dorothy Rudd Moore and its Relationship to the Literary Influence of Langston Hughes, Latoya Andriel Lain
A Critical Edition of Gustave Vogt's 4eme Solo de Concert, Mark Runkles
Theses/Dissertations from 2011
Clarinet performance practices for Alberto Ginastera's "Variaciones concertantes": Solutions for orchestral auditions and performances, Thomas James Kmiecik
Colonel John R. Bourgeois: A biography and analysis of transcription style, Jeffrey Alan Malecki
Adolphe Nourrit, Gilbert Duprez, and the high C: The influences of operatic plots, culture, language, theater design, and growth of orchestral forces on the development of the operatic tenor vocal production, Micheal Lee Smith Jr.