Publications written by the University of Nevada, Las Vegas English department.
Submissions from 2017
Jack London’s Sci-Fi Finale, John Hay
Darwin in den USA: Wissenschaft und Kreationismus, John Hay and Jeffrey Schwartz
Scientist as Hero, Technology as the Enemy: Commonplaces about Science in Environmental Discourses, Denise Tillery
Submissions from 2016
Limiting spectroscopic interferences of 239Pu and 237Np in a UO2 matrix using LA-ICP-MS, K Campbell, A Unger, W Kerlin, T Hartmann, J Bertoia, E Judge, M Dirmyer, and K Czerwinski
Imagery, Daniel T. Erwin
The changing patterns of iconology: Seven questions to Mitchell from the twentieth century, Timothy Erwin
The Reconstruction of Morality and the Evolution of Naturalism in the Last of Us, Amy Green
My Book of Mormon Story, P. Jane Hafen
Ben Jonson: Madness and community, Richard Harp
Virtue Is Not Boring: Shakespeare and the Moral Life, Richard L. Harp
Broken Hearths: Melville's Israel Potter and the Bunker Hill Monument, John Hay
Jack London’s Popular Naturalism, John Hay
Animal House: UNLV program that embeds a professor in the residence halls aims at boosting student engagement, Jarret Keene
Checking In With Saint Motel: The band's indie-pop overflows with bright hooks and soulful grooves, Jarret Keene
Country Crooner Corb Lund Is a Sodbustin’ Shakespeare, Jarret Keene
Exorcise This: Ghost Possesses Songs by Other artists on Its Latest EP, Jarret Keene
It’s the Bomb: A UNLV history professor publishes a graphic novel depicting the Atomic Era, Jarret Keene
Machete Music, Jarret Keene
Megadeth Stays Hard Front man Dave Mustaine talks about the band's evolution, Jarret Keene
Off the Ranch: Eastside Oasis, Jarret Keene
Punch-drunk Professor: An English teacher finds literary completeness in a most unlikely way, Jarret Keene
The 3rd Degree: Featuring Diane Bush, Jarret Keene
Widow, Jarret Keene
With All-Star Ensemble Kings of Chaos, Chester Bennington Holds His Own, Jarret Keene
When People of Color Are Discouraged From Going Into the Arts, Julia Lee
When Two ‘Little Rascals’ Crossed the Color Line, Julia Lee
Student-Centered Assessment Design in a Professional Writing Minor, Ed Nagelhout and Denise Tillery
Marianne Moore's postwar fables and the politics of indirection, Emily Setina
Proust's darkroom, Emily Setina
Shakespeare's Early Reception (to 1660), Charles Whitney
Submissions from 2015
A Poet of the Land: William Cullen Bryant and Moundbuilder Ecology, John Hay
Shakespeare Off the Grid, John Hay
Literary Theory and Criticism: An Introduction, Anne H. Stevens
Review of the book Making England Western: Occidentalism, Race, and Imperial Culture, Anne H. Stevens
Submissions from 2014
Narratives of Extinction: James Fenimore Cooper and the Last Man, John Hay
Plotting Devices: Literary Darwinism in the Laboratory, John Hay
Review of Walden's Shore: Henry David Thoreau and Nineteenth-Century Science, by Robert M. Thorson, John Hay
"The Lord and the Center of the Farthest": Ezol’s Journal as Tribalography in LeAnne Howe’s Miko Kings: An Indian Baseball Story, Patrice E.M. Hollrah
Submissions from 2012
Comic Prints, the Picturesque and Fashion: Seeing and Being Seen in Jane Austen's Northanger Abbey, Timothy Erwin
Sir John Hawkins on Richard Savage and the profession of authorship, Timothy Erwin
Turn, Turn …, John Hay
"Life Will Break You. ... You Have to Love": Historical/Intergenerational Trauma and Healing in Louise Erdrich's the Painted Drum, Patrice E.M. Hollrah
Submissions from 2011
Love and the Slippery Slope of Sexual Orientation: L/G/B/T/Qetc Sensibility in The Last Report on the Miracles at Little No Horse, Patrice E.M. Hollrah
Submissions from 2010
British Historical Fiction before Scott, Anne H. Stevens
Submissions from 2009
Stretching Sexual Boundaries in Sherman Alexie’s ‘Indian Country, Patrice E.M. Hollrah
Submissions from 2008
Forging Literary History: Historical Fiction and Literary Forgery in Eighteenth-Century Britain, Anne H. Stevens
Appropriate This, Charles Whitney
Submissions from 2007
The Immanent image of history and fiction, Timothy Erwin
Ut Rhetorica Artes: The rhetorical theory of the sister arts, Timothy Erwin
Anecdote on Teaching Composition, Patrice E.M. Hollrah
The Voices Still Are Singing’: Osage/Ponca Continuance in the Poetry of Carter Revard, Patrice E.M. Hollrah
Submissions from 2006
The Strength of Native Women in James Welch’s Winter in the Blood, Patrice E.M. Hollrah
The Footnote, in Theory, Anne H. Stevens and Jay Williams
Submissions from 2005
L’extraordinaire langage de Robert Pinsky, Timothy Erwin
First Impressions of A. LaVonne Brown Ruoff as an Author, Patrice E.M. Hollrah
English Monarchies, Anne H. Stevens
Submissions from 2004
The Ecliptic of the beautiful, Timothy Erwin
Decolonizing the Choctaws: Teaching LeAnne Howe’s Shell Shaker with a Tribalography Approach, Patrice E.M. Hollrah
Resistance and Continuance through Cultural Connections in Simon Ortiz’s Out There Somewhere, Patrice E.M. Hollrah
Submissions from 2003
Scribblers, servants, and Johnson’s Life of Savage, Timothy Erwin
"The Men in the Bar Feared Her": The Power of Ayah in Leslie Marmon Silko’s "Lullaby", Patrice E.M. Hollrah
The Old Lady Trill, the Victory Yell: The Power of Women in Native American Literature, Patrice E.M. Hollrah
Sophia Lee’s Illegitimate History, Anne H. Stevens
Submissions from 2001
Hogarth and the aesthetics of nationalism, Timothy Erwin
Sherman Alexie’s Challenge to the Academy’s Teaching of Native American Literature, Non-Native Writers, and Critics, Patrice E.M. Hollrah
Tales of Other Times: A Survey of British Historical Fiction 1770-1812, Anne H. Stevens
The Philosophy of General Education and Its Contradictions: The Influence of Hutchins, Anne H. Stevens
Submissions from 2000
Spectacle in the way of the world, Timothy Erwin and Leon Coburn
Submissions from 1998
Angelica Kauffmann, Henry Fuseli, and the birth of the sublime, Timothy Erwin
Submissions from 1995
Alexander Pope and the disappearance of the beautiful, Timothy Erwin
Submissions from 1994
The Extraordinary language of Robert Pinsky, Timothy Erwin
Romancing Visual Women: From Canon to Console, Roberta Sabbath
Submissions from 1993
Johnson and Lockean empiricism, Timothy Erwin
Submissions from 1992
Adam Smith's theory of rhetoric and the method of Hume's dialogues, Timothy Erwin
Submissions from 1991
Poussin and the rhetoric of depiction: A response to Michael Podro, Timothy Erwin
Voltaire and Johnson again: The life of savage and the sertorius letter, Timothy Erwin
Submissions from 1989
Francis Bacon's Instauratio: Dominion of and over Humanity, Charles Whitney
Submissions from 1988
Johnson's life of savage and Lockean psychology, Timothy Erwin
Modern iconology and postmodern iconologies, Timothy Erwin
Submissions from 1983
The Life of savage, Voltaire, and a neglected letter, Timothy Erwin