Doctor of Philosophy (PhD)
First Committee Member
Number of Pages
Glean, a reference to the gathering of grain after harvest, explores the appalling trust implicit in any act of faith---that prayer may not elicit a response. Spare and evocative, the collection struggles with a language at odds with itself. How do we write about an absence that can never be fully possessed or known, an absence that may be all we ever glimpse of the divine? When does spirituality become more real than its pursuit? Moving between doubt and vulnerability, the body and its unresolved spiritual fate, Glean dedicates itself to the exploration of faith, simultaneously investigating the possibility of salvation and the difficulty of its attainment. Echoing other religious poets and figures---John Donne, Gerard Manley Hopkins, Saint Augustine, Joan of Arc, Simone Weil---the collection focuses on Catholic iconography and ritual, particularly the concept of the crucifixion. Although these poems engage Catholic ideas and beliefs, they are always more personal than denominational or ideological. The focus remains primarily on the question of faith and the private struggle with its absence. The form of these poems fluctuates between the terse, pregnant lines of George Oppen and Paul Celan and the loose, expansive lines of William Carlos Williams and Charles Olson
Glean; Original writing; Poems; Poetry
American literature; Literature, Modern
University of Nevada, Las Vegas
If you are the rightful copyright holder of this dissertation or thesis and wish to have the full text removed from Digital Scholarship@UNLV, please submit a request to email@example.com and include clear identification of the work, preferably with URL.
Kryah, Joshua Peter, "Glean: Poems" (2006). UNLV Retrospective Theses & Dissertations. 2704.
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/