Theses/Dissertations from 2014
Songs By Hsiao Tyzen: The Interaction Between His Music And Taiwan, Pei-Ning Ku
The Percussionist Bodybuilder: Optimizing Performance Through Exercise and Nutrition, Anthony Joseph Merlino
The Percussion Music of Donald Martino, Glenn Webb
Theses/Dissertations from 2013
The Second Oboe Concerto of Sir William Herschel: A New Performance Edition, Matthew Thomas Guschl
Paul Moravec: Polystylism in Cool Fire (2001), Jennifer Kuk-Bonora
A Historical Examination: The Role of Orchestral Repertoire in Flute Pedagogy, Donald William Malpass
Theses/Dissertations from 2012
Johannes Brahms, Vierzehn Deutsche Volkslieder, WoO 34, Nos. 1-14, An Arrangement, Transcription and Pedagogical Rationale for Wind Band, Robert Logan Biles
Kristian Lindeman, Chansons Sentimentales: A Wind Orchestra Arrangement with Accompanying Historical Background and Commentary, Rod L. Henley
An Examination of the Compositional Style of Dorothy Rudd Moore and its Relationship to the Literary Influence of Langston Hughes, Latoya Andriel Lain
A Critical Edition of Gustave Vogt's 4eme Solo de Concert, Mark Runkles
Theses/Dissertations from 2011
Clarinet performance practices for Alberto Ginastera's "Variaciones concertantes": Solutions for orchestral auditions and performances, Thomas James Kmiecik
Colonel John R. Bourgeois: A biography and analysis of transcription style, Jeffrey Alan Malecki
Adolphe Nourrit, Gilbert Duprez, and the high C: The influences of operatic plots, culture, language, theater design, and growth of orchestral forces on the development of the operatic tenor vocal production, Micheal Lee Smith Jr.
Theses/Dissertations from 2010
Beloved, Thou Hast Brought Me Many Flowers and Sifting through the Ruins: An analysis of two chamber song cycles by Libby Larsen, Juline Erika Barol-Gilmore
An Annotated guide to flute and guitar music, Kristi Benedick
Antonin Dvorak, Biblical Songs, Op. 99: A transcription for wind orchestra with historical context and transcription method, Raymond T. Brown
Pauline Viardot's Russian compositions, Amy Jo Hunsaker
Silence: Exploring Salvatore Sciarrino’s style through L’opera per flauto, Megan R. Lanz
Theses/Dissertations from 2009
The Olympic Singer: Integrating Pilates Training Into the Voice Studio, Veera Khare Asher
Ralph Vaughan William's the Pilgrim's Progress: Problems and Solutions for Future Performances, Richard Brandon Brunson
Justifications of a 21st century wind ensemble transcription of Mozart's "Overture to The Magic Flute" based upon late eighteenth century ideology, Teresa Corinne Stewart
An Examination of vocal music by John Musto, Stephanie R. Thorpe
Ernest Farrar, "English Pastoral Impressions", Op. 26: A transcription for wind orchestra, William Wallace Woodworth IV