Theses/Dissertations from 2010
Beloved, Thou Hast Brought Me Many Flowers and Sifting through the Ruins: An analysis of two chamber song cycles by Libby Larsen, Juline Erika Barol-Gilmore
An Annotated guide to flute and guitar music, Kristi Benedick
Antonin Dvorak, Biblical Songs, Op. 99: A transcription for wind orchestra with historical context and transcription method, Raymond T. Brown
Pauline Viardot's Russian compositions, Amy Jo Hunsaker
Silence: Exploring Salvatore Sciarrino’s style through L’opera per flauto, Megan R. Lanz
Theses/Dissertations from 2009
The Olympic Singer: Integrating Pilates Training Into the Voice Studio, Veera Khare Asher
Ralph Vaughan William's the Pilgrim's Progress: Problems and Solutions for Future Performances, Richard Brandon Brunson
Justifications of a 21st century wind ensemble transcription of Mozart's "Overture to The Magic Flute" based upon late eighteenth century ideology, Teresa Corinne Stewart
An Examination of vocal music by John Musto, Stephanie R. Thorpe
Ernest Farrar, "English Pastoral Impressions", Op. 26: A transcription for wind orchestra, William Wallace Woodworth IV