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About the Collection
This collection contains faculty research from the UNLV School of Music. Records are organized by Year, Author, and Title. To view the entire collection of UNLV faculty research across all programs, visit the All Faculty Research collection.
Submissions from 2022
“‘Old Age’s Lambent Peaks’: On Organic and Dialectical Paradigms of Lateness”, Anthony Barone
Submissions from 2021
Musical Process and Trauma in the Discourses of Wagner’s Ring, Anthony Barone
A Personal Journey of International Travel during the Pandemic, Timothy Jones
After the Virus: Disaster Capitalism, Digital Inequity, and Transformative Education for the Future of Schooling, Richard Miller and Katrina Liu
After the Virus: Disaster Capitalism, Digital Inequity, and Transformative Education for the Future of Schooling, Richard Miller and Katrina Liu
Submissions from 2020
Some Preliminary Remarks on the Hermeneutic of Late Style, Anthony Barone
Adam Pearl: Pièces de clavecin, Jonathan R. Lee
Commentary on: Brandenburg Concerto No. 5, Jonathan R. Lee
Commentary on: Sonata da Chiesa Op. 5, No. 1, Jonathan R. Lee
Film Music in the Sound Era: A Research and Information Guide, Volume 1: Histories, Theories, and Genres, Jonathan R. Lee
Giulia Frasi: Singer of Sentiment, Jonathan R. Lee
Music, Morality and Sympathy in the Eighteenth-Century English Sermon, Jonathan Rhodes Lee
Yoga for Singers, Linda Lister
Choral Music by Women: A Brief History, Linda Lister and Matthew Hoch
Critical Counter-Narrative as Transformative Methodology for Educational Equity, Richard Miller, Katrina Liu, and Arnetha F. Ball
Submissions from 2019
Smart Stuff Laid Plain: A Snack Approach, Kimberly James
Operas Composed by Women: A Brief History, Linda Lister and Matthew Hoch
So You Want to Sing Music by Women: A Guide for Performers, Linda J. Lister and Matthew Hoch
Submissions from 2018
NEXUS (UNLV Compliation CD: Crystalline and Turn the Key), Jennifer Bellor, Charles Halka, Diego Vega, and Cynthia Wong
Evening Rainbow, Charles Halka, Weiwei Le, Tobias Roth, and Andrew Smith
From Giuseppe to Joseph: A Possible New Borrowing Source for the Music of Joseph and His Brethren, Jonathan R. Lee
Barnum and Bailey's Fractured Favorite, Thomas G. Leslie
String Division Handbook School of Music University of Nevada - Las Vegas 2018-2019, Weiwei Le; Ambroise Aubrun; Kate Hamilton; Andrew Smith; Brycen Ingersoll University of Nevada, Las Vegas; and Ricardo Cobo
So You Want to Sing Light Opera: A Guide for Performers, Linda J. Lister
A Sonnertress Enamored, Linda Lister and Weiwei Le
Composing Japanese Musical Modernity, Richard C. Miller
Submissions from 2017
Karol Berger, Beyond Reason: Wagner contra Nietzsche, Anthony Barone
Review: 'Beyond Reason: Wagner contra Nietzsche,' by Karol Berger, Anthony Barone
Weekly blogs, Stephen Caplan
Watch Your Language!, Jennifer Johnson and Stephen Caplan
Significant Composers, Jonathan R. Lee
24K Gould / Leslie, UNLV Wind Orchestra, Thomas G. Leslie
Thomas Leslie Talks About the Return of the UNLV Wind Orchestra, Thomas G. Leslie
Handel: The "Halle" Sonatas, Andrew Parker, Nancy Ambrose King, Kristin Wolfe Jensen, and Jonathan Rhodes Lee
Lunar Crater volcanic field (Reveille and Pancake Ranges, Basin and Range Province, Nevada, USA), G A. Valentine, J A. Cortés, E Widom, E I. Smith, C Rasoazanamparany, R Johnsen, J P. Briner, A G. Harp, and B Turrin
Submissions from 2016
Review: Eric Saylor and Christopher M. Scheer, eds., The Sea in the British Musical Imagination, Anthony Barone
Stay, Jennifer Bellor
Composition "Afterglow", Mark Boseman and Jennifer Bellor
Review: OnMusic Appreciation, Third Edition, Eugenie I. Burkett
Haydn and His Students VIII: Spech and Beethoven, Jonathan R. Lee
Introduction to Music in the Baroque Era, Jonathan R. Lee
Realizing Rosina: Operatic Characterizations of Beaumarchais's Heroine, Linda J. Lister
Played Out on the Strip: The Rise and Fall of the Las Vegas Casino Bands, Janis Mckay
Played out on the strip : the rise and fall of Las Vegas casino bands, Janis McKay, Archie McKay, and Cuba McKay
Submissions from 2015
"Noir" for Big Band, Jennifer Bellor
Program Note for Students of Haydn VIII, Jonathan R. Lee
Report on the 2015 Meeting of the American Handel Society, Jonathan R. Lee
From Amelia to Calista and Beyond: Sentimental Heroines, ‘Fallen’ Women and Handel’s Oratorio Revisions for Susanna Cibber, Jonathan R. Lee