A search for primitive voice in post-modern theatre
This thesis examines the influences of primitive vocal delivery on Post-Modern Theatre. Beginning with a review of the work of three directors: Jerzy Grotowski, Peter Brook, and Richard Schechner; the thesis moves to a case study of a 1991 production of Macbeth where primary research is documented. Focusing on the production of a language based on primitive culture, the theatrical community is furnished with a vocabulary of sound/communication that may be implemented for Macbeth's Weird Sisters. Finally, the thesis directs the use of primitive vocal scoring, like musical transcription, toward a future outlook at similar projects.