Below are master of fine arts and master of arts theses completed by graduates of the University of Nevada Las Vegas Department of Theatre.
For the entire collection of UNLV theses and dissertations, visit UNLV Theses, Dissertations, Professional Papers, and Capstones
Theses/Dissertations from 2022
Adaptive Theatre Techniques for Use in Autism Behavioral Intervention, Tyler Hastings
Theses/Dissertations from 2020
An Examination of the History and Evolution of Senior Adult Theatre accomplishments that Impact Intergenerational Theatre of the 21st Century, William Français Charette
Managing The Performing Arts Center: Best Practices For University-Based Performing Arts Centers, Lori Cobo
The Impact and Influence of The Diary Of Anne Frank on Middle and High School Students, Norma Jane Zuckerman
Theses/Dissertations from 2019
Torrente and Manjón: The Visionary-Producers of the Latin Fire Follies, Olivia Hernando
Words as Weapons and Wisdom, Barbara Paige
Theses/Dissertations from 2016
Theater Education: Thinking Outside of the Black Box, Raheve Gray
Collaborative Writing for Commercial Musical Theatre, Alexandra Grill-Childers
Pansori, Bomi Kang
Rhinestones in the Desert: The Rise and Fall of the Las Vegas Showgirl and the Productions That Shaped Her, Diane Marie Palm
Theses/Dissertations from 2015
African American Student Theatre Organization Involvement and the College Experience at the University of Nevada, Las Vegas, Crestcencia Lynn Ortiz-Barnett
Theses/Dissertations from 2014
Theses/Dissertations from 2013
A History and Analysis of the Works of Lynn Ahrens and Stephen Flaherty, Matthew Paul Fisher
Theses/Dissertations from 2012
Exploring the Morality of Arthur Miller and Elia Kazan to Show How It Affected Their Work, Friendship and Society, Dale D. Parry
Theses/Dissertations from 2011
The impact of World War II on women's fashion in the United States and Britain, Meghann Mason
Korean mask-dance and Aristotle's poetics, Teayong Pakr
Theses/Dissertations from 2010
Incidental music: Enhancing the emotional experience of the audience, Daniel Edward Nelson