Award Date
1-1-1990
Degree Type
Thesis
Degree Name
Master of Arts (MA)
Department
Theatre Arts
Number of Pages
80
Abstract
The thesis, using Husserlian phenomenology, presents a descriptive, analytical approach for theatrical works. The methodology consists of two parts: "feeling" and "meaning." "Feeling" covers the reader/viewer's experience of the work; "meaning" covers the source of that experience in the work. An introductory portion asks the analyzer to describe the autonomous aspects of the work. The evaluative conclusion asks the reader/viewer to describe change or lack thereof in the personal perspective; Abraham Maslow's hierarchy of needs, Edith Stein's treatment of empathy, and Ernst Cassirer's paradigms of cultural expression are all used to enrich the analytical approach. Two plays, Caryl Churchill and David Lan's A Mouthful of Birds, and Jean Genet's The Screens, and one performance piece, Holly Hughes' Dress Suits for Hire, demonstrate the approach.
Keywords
Analyzing; Based; Criticism; Methodology; Phenomenological; Phenomenologically; Theatrical; Works
Controlled Subject
Theater; Philosophy
File Format
File Size
1802.24 KB
Degree Grantor
University of Nevada, Las Vegas
Language
English
Permissions
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Repository Citation
Sabbath, Roberta Sterman, "A phenomenological criticism: A phenomenologically based methodology for analyzing theatrical works" (1990). UNLV Retrospective Theses & Dissertations. 103.
http://dx.doi.org/10.25669/kspf-3cdd
Rights
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