Award Date
1-1-2002
Degree Type
Thesis
Degree Name
Master of Arts (MA)
Department
Communication Studies
First Committee Member
Dolores Tanno
Number of Pages
124
Abstract
This thesis examines the punk music of the Sex Pistols as protest rhetoric. Seven of the songs on the album Never Mind the Bollocks Heres the Sex Pistols are analyzed for their content. The analysis utilizes the theory of symbolic convergence and its coinciding fantasy theme analysis along with ego-function of protest rhetoric. Through the analysis it is found that punk rock is in fact protest rhetoric as defined and explained by the theory of ego-function. The guides of this theory explain the emergence of punk music and the resulting culture. Symbolic convergence theory and fantasy theme analysis examines the messages within the text and how they express the ideas, beliefs, and values of the punk culture. This provides a better understanding of punk culture and the messages communicated in the songs of the Sex Pistols.
Keywords
Pistols; Protest; Punk; Rhetoric; Rock; Sex
Controlled Subject
Mass media; Music; Ethnology
File Format
File Size
3584 KB
Degree Grantor
University of Nevada, Las Vegas
Language
English
Permissions
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Repository Citation
Byers, Cari Elaine, "The Sex Pistols: Punk rock as protest rhetoric" (2002). UNLV Retrospective Theses & Dissertations. 1423.
http://dx.doi.org/10.25669/yfq8-0mgs
Rights
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