Award Date
1-1-2004
Degree Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
English
First Committee Member
Douglas Unger
Number of Pages
122
Abstract
The seeds of Roaring Orchards were planted during a spring drive to Williams College. In one of the outdoor malls spread along the roads that lead east from the northbound curl of the Taconic Parkway, there is on Sundays a small farmers' market. I stopped to get a carton of blueberries from the produce tent, and wandered to a table stacked with used books for sale. Most were illustrated biographies of baseball players and how-to books, but there were also a few dusty yellow paperbacks. I bought The Palm at the End of the Mind, Nostromo, and The Portable Chekov. It wasn't until I got back to my car that, flipping through the pages of Chekov, I found teeth marks on the margins of the pages. I enjoyed for a moment imagining that these weren't the work of a child but the result of a more visceral frustration with Chekov's understated depiction of grief. That those teeth marks betokened an exasperation, a silent scream that inscribed what Chekov so often left unsaid. Roaring Orchards grew out of an attempt to articulate that impulse.
Keywords
Novel; Orchards; Original writing; Roaring
Controlled Subject
American literature
File Format
File Size
3471.36 KB
Degree Grantor
University of Nevada, Las Vegas
Language
English
Permissions
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Repository Citation
Ionascu, Dan, "Roaring Orchards" (2004). UNLV Retrospective Theses & Dissertations. 1664.
http://dx.doi.org/10.25669/6ycy-opd3
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/
