Award Date
1-1-1998
Degree Type
Thesis
Degree Name
Master of Arts (MA)
Department
Theatre Arts
First Committee Member
Jeffrey Koep
Number of Pages
59
Abstract
This thesis traces how the artistry of the Broadway musical reflects the condition of the American attitude as influenced by the events of its time. From two historical events, Vietnam to Watergate, there is a shift in attitude evident in two pieces of musical theater, Hair and Chicago. What is fascinating is that both Vietnam and Watergate are tragic events: one because of the unnecessary loss of life, and the other because of a loss of faith. Hair is a revolutionary play that indicates the survival of spirit and compassion through rock music and lyrics that reflect the culture of its characters. Chicago, however, treats murder with a tongue-in-cheek attitude in its seductive dances and vaudeville acts, luring an audience into inhumanity. Commercial art thrives on plays that appeal to its target audience as proven by today's successful runs of Rent (a musical often compared to Hair) and the revival of Chicago.
Keywords
American; Artistry; Attitude; Bob Fosse; Chicago; Galt Macdermot; Gerome Ragni; Hair; James Rado; Macdermot; Musicals Ragni; Reflected; Revolt; Revolution; Shift; Theatre; Vietnam; Watergate
Controlled Subject
Theater
File Format
File Size
1402.88 KB
Degree Grantor
University of Nevada, Las Vegas
Permissions
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Repository Citation
Auerbach, Erin, "From revolution to revolt in theatre artistry: A shift in American attitude from Vietnam to Watergate reflected in the musicals "Chicago" and "Hair"" (1998). UNLV Retrospective Theses & Dissertations. 890.
http://dx.doi.org/10.25669/eikg-kcu8
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