Award Date
2009
Degree Type
Thesis
Degree Name
Master of Fine Arts in Creative Writing
Department
English
Advisor 1
Claudia Keelan, Committee Chair
First Committee Member
Nicholas Lolordo
Second Committee Member
Donald Revell
Graduate Faculty Representative
Elspeth Whitney
Number of Pages
88
Abstract
From Feminism means to emphasize a world-view rather than an a-priori eye towards women; the manuscript does occasionally strike a generic feminist-didactic mode, but for the most part its concerns are with humanity/ecology and gender goes un-marked or people are altogether absent. The world is various, and in terms of form, the poems in this book are rangy: sonnets, prose poems, serial fragments, free verse tercets, measured and rhymed tercets, couplets, over-the-top monuments to generation by rhyme. Unconventional use of white-space occurs fairly frequently. My thought is that having breaks in articulation in two places, not just the end of lines, may create potential for more sense, for a more various way to breathe. Many of these breath-oriented poems do end-up having a visual component, and I'm interested in the way prosodies geared towards the eye needn't be seen as adversarial to ones oriented around the ear and utterance, either song or speech or a medley.
Keywords
Feminism; Original writing; Poetry
Disciplines
American Literature
File Format
Degree Grantor
University of Nevada, Las Vegas
Language
English
Repository Citation
Strauss, Adam, "From feminism" (2009). UNLV Theses, Dissertations, Professional Papers, and Capstones. 27.
http://dx.doi.org/10.34917/1354576
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/