Award Date
December 2016
Degree Type
Dissertation
Degree Name
Doctor of Musical Arts (DMA)
Department
Music
First Committee Member
Alfonse Anderson
Second Committee Member
Linda Lister
Third Committee Member
Tod Fitzpatrick
Fourth Committee Member
David Weiller
Fifth Committee Member
Nate Bynum
Number of Pages
55
Abstract
Twentieth and twenty-first century compositions are growing in popularity amongst scholars of music. Along with this budding interest comes a plethora of composers, many of whom are women. While not a discussion on feminism in the modern age, this document will concentrate on one female composer. Drawing from the historical significance of the poet and the compositional history of Four Sonnets by Pablo Neruda set 1 and Four Sonnets by Pablo Neruda set 2 by Dr. Judith Cloud, my goal is to make these two song cycles more accessible to sopranos, as well as to those wanting to expand their knowledge of twenty-first century female composers and their compositions in order to provide a performer’s perspective. Through the study of the poet, poetry, composer and composition, all information provides and leads to a better understanding of the song sets.
Keywords
female composers; Judith Cloud; Pablo Neruda; performer's perspective; Sheronda McKee; soprano
Disciplines
Education | Music
File Format
Degree Grantor
University of Nevada, Las Vegas
Language
English
Repository Citation
Mckee, Sheronda Levonne, "Four Sonnets by Pablo Neruda, sets 1 and 2, by Judith Cloud, for High Voice and Piano: A Performer’s Perspective" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2882.
http://dx.doi.org/10.34917/10083178
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/