Award Date
August 2017
Degree Type
Dissertation
Degree Name
Doctor of Musical Arts (DMA)
Department
Music
First Committee Member
Barbara Hull
Second Committee Member
Bill Bernatis
Third Committee Member
Dave Loeb
Fourth Committee Member
Nathan Tanouye
Fifth Committee Member
Margot Mink Colbert
Number of Pages
76
Abstract
This document examines crossover trumpet playing: the ability to comfortably transition from classical to jazz style. Problems trumpeters face when shifting between classical and jazz styles and the importance of always performing idiomatically are discussed. There is no consensus regarding the best way to develop crossover ability, but experts agree that the proper use of articulation is vital for stylistically authentic performances. A review of the literature reveals fundamental differences in how articulation is taught in classical and jazz pedagogies. Additionally, jazz and classical musicians approach printed music differently. By detailing key elements of jazz articulation and interpretation the document provides a guide for classical trumpeters attempting to assimilate the nuances of jazz performance.
Keywords
articulation; back-tonguing; interpretation; performance practice; swing; trumpet mutes
Disciplines
Education | Music | Theatre and Performance Studies
File Format
Degree Grantor
University of Nevada, Las Vegas
Language
English
Repository Citation
Tague, Kevin Christopher, "Crossover Trumpet Performance: Jazz Style and Technique for Classical Trumpeters" (2017). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3104.
http://dx.doi.org/10.34917/11156823
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/