Award Date
May 2018
Degree Type
Thesis
Degree Name
Master of Arts (MA)
Department
History
First Committee Member
Marcia Gallo
Second Committee Member
Greg Hise
Third Committee Member
Andy Kirk
Fourth Committee Member
Barb Brents
Number of Pages
140
Abstract
This study examines the representation of the AIDS crisis and People with AIDS (PWAs) in comics produced by mainstream publishing companies in America. Between 1988 and 1995, mainstream comic artists at DC Comics and Marvel Comics used their art to offer social commentary on the crisis. This commentary focused primarily on social issues like violence against PWAs and social ostracizing instead of the critiques of the Reagan Administration and medical institutions found in similar comics produced by activists in the queer communities. They provided education and advocated acceptance through their character’s actions and dialogue as well as in their own responses to letters from readers. Furthermore, mainstream comic creators described their art as starting points their readers could use to discuss the AIDS crisis, despite the years of activism for gay men and lesbians. An analysis of the comic art reveals a lack of social consciousness and personal experience on the part of the creators. Whether intentional or not, they played into stereotypes about people of color and gay men as well as promulgated misconceptions and fear about AIDS. The result was a series of comics that erased queer activism during their attempt to help People with AIDS.
Keywords
Comic Books; HIV/AIDS
Disciplines
United States History
File Format
Degree Grantor
University of Nevada, Las Vegas
Language
English
Repository Citation
Howard, Franklin, ""The Only People Who Can Get AIDS-Are People": The AIDS Crisis in Mainstream Crisis, 1981-1995" (2018). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3263.
http://dx.doi.org/10.34917/13568492
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/