Award Date

12-15-2019

Degree Type

Dissertation

Degree Name

Doctor of Musical Arts (DMA)

Department

Music

First Committee Member

Alfonse Anderson

Second Committee Member

Linda Lister

Third Committee Member

Tod Fitzpatrick

Fourth Committee Member

Nate Bynum

Fifth Committee Member

Timothy Jones

Number of Pages

119

Abstract

This document discusses the most important roles within any operatic production, how these roles are essential to the final product’s success and the best practices for casting agents to utilize when determining hiring choices in order to assemble the most creative, efficient and harmonious production team. The discussion delves into the characteristics and behaviors considered the most valuable when hiring for specific cast and crew positions for full-scale, professional opera productions, and delineates a few of the typical pitfalls that casting agents and/or artistic directors can encounter when building a team for any production. The author addresses “red flags” for casting agents, band-aids for unfortunate situations, as well as provides resources for the work of pursuing the best artists. This document focuses on issues primarily encountered at the regional professional company level.

Keywords

Casting; Opera; Opera Administration; Opera Productions; Vocal Casting

Disciplines

Music | Theatre and Performance Studies

File Format

pdf

File Size

1.0 MB

Degree Grantor

University of Nevada, Las Vegas

Language

English

Rights

IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/


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