Award Date
5-1-2022
Degree Type
Doctoral Project
Degree Name
Doctor of Musical Arts (DMA)
Department
Music
First Committee Member
Kimberly James
Second Committee Member
Alfonse Anderson
Third Committee Member
Linda Lister
Fourth Committee Member
Richard Miller
Fifth Committee Member
Philip Hubbard
Number of Pages
79
Abstract
The scope of this document is to demonstrate the richness and diversity to be found in the art song genre from countries outside of the standard repertoire, specifically focusing on the Brazilian composer Francisco Mignone. The purpose of this document is to provide performance practice guidelines for four selected pieces by Francisco Mignone: No Meio do Caminho (1938), Pregão (1947), Si eu sei o que é saudade (1976), and Valsa-Vocalise (1972). They exemplify expressions of Brazilian national identity through the music selected. Furthermore, it provides a brief background on the composer and his compositional style phases, and context for the selection of his work. It will also provide resources related to the Brazilian Portuguese language because the language factor should not be a barrier impeding people from singing repertoire in Brazilian Portuguese. Singers should continue exploring different composers from different nationalities in order to expand the art song canon, and to discover great repertoire connected to different cultures.
Keywords
Art Song; Brazilian composer; Carlos Drummond de Andrade; Francisco Mignone; saudade; Vocal Work
Disciplines
Music | Nanoscience and Nanotechnology
File Format
File Size
8300 KB
Degree Grantor
University of Nevada, Las Vegas
Language
English
Repository Citation
Rizzotto Vidal Pessoa, Amanda Mara, "A Performance Guide for Four Songs by Francisco Mignone" (2022). UNLV Theses, Dissertations, Professional Papers, and Capstones. 4463.
http://dx.doi.org/10.34917/31813356
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/