Submissions from 2017
Life After Near-Death in the Las Vegas Shooting, Amanda P. Fortini
Shou Sugi Ban: Black and Burned Wood, Amanda P. Fortini
Talismanic Object (23), Amanda P. Fortini
The Funeral Parlor Giving Families Peace After the Las Vegas Shooting, Amanda P. Fortini
The Jobs Americans Do, Amanda P. Fortini
The Man Designing Spaces for the Instagram Age, Amanda P. Fortini
Three Designers Creating Clothes for Life--Not the Runway, Amanda P. Fortini
We Take Our Stand: On Public Lands, Amanda P. Fortini
Posttraumatic stress disorder, trauma, and history in metal gear solid V, A M. Green
Thoreau's sound reasoning, J Hay
Jack London’s Sci-Fi Finale, John Hay
The American Mad Max: The Road Warrior versus the Postman, John Hay
Darwin in den USA: Wissenschaft und Kreationismus, John Hay and Jeffrey Schwartz
All Things for All People: Profile—Kellen Braddock, Deputy Director, Black Mountain Institute, Jarret Keene
Four Vanilla Ice Jokes in Search of a Deep Thought About I Love the ’90s, Jarret Keene
A Lesson in Music History: Beau Dobney transitions from hardcore-punk frontman to Hard Rock hotel memorabilia curator, Jarret D. Keene
Anglo-American Comics: Three Books From University Press of Mississippi Focus on the Origins of WWII and Post-War Superheroes, Jarret D. Keene
Anthrax Is Still 'Caught in a Mosh', Jarret D. Keene
Death Cab for Cutie Went Rock-Heavy at The Chelsea, Jarret D. Keene
Imbrifex Books Founder Turns the Page on an Internet Venture, Jarret D. Keene
Jimmy Eat World Doesn’t Dread Nostalgia Status, Jarret D. Keene
Joe Walsh Kicks Off House of Blues Residency With a Guitar Duel and a Glenn Frey Tribute, Jarret D. Keene
John Fogerty Brings His Family Along For a New Chapter in His Career, Jarret D. Keene
Mastodon’s Las Rageous Set Should Be a 2017 Concert Highlight, Jarret D. Keene
Phantogram’s Powerful Brooklyn Bowl Show Proves the Indie Synth-Pop Duo Can Slay, Jarret D. Keene
Ragged-voiced Danzig Still Thrills Brooklyn Bowl, Jarret D. Keene
Reboot Commands a New Niche in Video Game Lounges, Jarret D. Keene
Sci-Fi Guy, Jarret D. Keene
The Ataris Look Back to Move Forward, Jarret D. Keene
The Pearl Theater Celebrates 10 Years With A Perfect Circle’s Moody Gothic Metal, Jarret D. Keene
The Harlem Globetrotters Still Got Game: After 91 years, the backboard wizards continue to entertain—and amaze, Jarret D. Keene
High-grade gold deposition and collapse breccia formation, Cortez Hills carlin-Type gold deposit, Nevada, USA, L R.C. Maroun, J S. Cline, A Simon, P Anderson, and J Muntean
Review: Rethinking British Romantic History, 1770-1845, ed. Fermanis and Regan, Anne H. Stevens
The British Season Novel 1806-1824: A Nineteenth-Century Microgenre, Anne H. Stevens
Commonplaces of Scientific Evidence in Environmental Discourses, Denise Tillery
Scientist as Hero, Technology as the Enemy: Commonplaces about Science in Environmental Discourses, Denise Tillery
Editor's introduction: The world, the multi-ethnic text, and the critic, G Totten
Comparison of the native antimony-bearing Paiting gold deposit, Guizhou Province, China, with Carlin-type gold deposits, Nevada, USA, Z J. Xie, Y Xia, J S. Cline, B W. Yan, Z P. Wang, Q P. Tan, and D T. Wei
Older Lifelong Learners’ Motivations for Participating in Formal Volunteer Activities in Urban Communities, T Yamashita, E B. Lopez, M Soligo, and J R. Keene
Types of Learning Activities and Life Satisfaction among Older Adults in Urban Community-Based Lifelong Learning Programs, T Yamashita, E B. Lopez, J Stevens, and J R. Keene
Submissions from 2016
Limiting spectroscopic interferences of 239Pu and 237Np in a UO2 matrix using LA-ICP-MS, Keri Campbell, A Unger, W Kerlin, T Hartmann, J Bertoia, E Judge, M Dirmyer, and K Czerwinski
Imagery, Daniel T. Erwin
"Imagery," Oxford Handbook of British Poetry, 1660-1800, Daniel Timothy Erwin
The changing patterns of iconology: Seven questions to Mitchell from the twentieth century, Timothy Erwin
The Reconstruction of Morality and the Evolution of Naturalism in the Last of Us, Amy Green
My Book of Mormon Story, P. Jane Hafen
Ben Jonson: Madness and community, Richard Harp
Virtue Is Not Boring: Shakespeare and the Moral Life, Richard L. Harp
Broken Hearths: Melville's Israel Potter and the Bunker Hill Monument, John Hay
Jack London’s Popular Naturalism, John Hay
Animal House: UNLV program that embeds a professor in the residence halls aims at boosting student engagement, Jarret Keene
Checking In With Saint Motel: The band's indie-pop overflows with bright hooks and soulful grooves, Jarret Keene
Country Crooner Corb Lund Is a Sodbustin’ Shakespeare, Jarret Keene
Exorcise This: Ghost Possesses Songs by Other artists on Its Latest EP, Jarret Keene
It’s the Bomb: A UNLV history professor publishes a graphic novel depicting the Atomic Era, Jarret Keene
Machete Music, Jarret Keene
Megadeth Stays Hard Front man Dave Mustaine talks about the band's evolution, Jarret Keene
Off the Ranch: Eastside Oasis, Jarret Keene
Punch-drunk Professor: An English teacher finds literary completeness in a most unlikely way, Jarret Keene
The 3rd Degree: Featuring Diane Bush, Jarret Keene
Widow, Jarret Keene
With All-Star Ensemble Kings of Chaos, Chester Bennington Holds His Own, Jarret Keene
When People of Color Are Discouraged From Going Into the Arts, Julia Lee
When Two ‘Little Rascals’ Crossed the Color Line, Julia Lee
Student-Centered Assessment Design in a Professional Writing Minor, Ed Nagelhout and Denise Tillery
Business and Technical Writing at UNLV, Edwin Nagelhout and Jeffrey A. Jablonski
Marianne Moore's postwar fables and the politics of indirection, Emily Setina
Proust's darkroom, Emily Setina
Review: Reinventing Liberty by Fiona Price, Anne H. Stevens
Shakespeare's Early Reception (to 1660), Charles Whitney
Submissions from 2015
A Poet of the Land: William Cullen Bryant and Moundbuilder Ecology, John Hay
Shakespeare Off the Grid, John Hay
Literary Theory and Criticism: An Introduction, Anne H. Stevens
Review of the book Making England Western: Occidentalism, Race, and Imperial Culture, Anne H. Stevens
Submissions from 2014
Narratives of Extinction: James Fenimore Cooper and the Last Man, John Hay
Plotting Devices: Literary Darwinism in the Laboratory, John Hay
Review of Walden's Shore: Henry David Thoreau and Nineteenth-Century Science, by Robert M. Thorson, John Hay
"The Lord and the Center of the Farthest": Ezol’s Journal as Tribalography in LeAnne Howe’s Miko Kings: An Indian Baseball Story, Patrice E.M. Hollrah
Submissions from 2012
Comic Prints, the Picturesque and Fashion: Seeing and Being Seen in Jane Austen's Northanger Abbey, Timothy Erwin
Review: Ruth Mack. Literary Historicity: Literature and Historical Experience in Eighteenth-Century Britain, Timothy Erwin
Sir John Hawkins on Richard Savage and the profession of authorship, Timothy Erwin
Turn, Turn …, John Hay
"Life Will Break You. ... You Have to Love": Historical/Intergenerational Trauma and Healing in Louise Erdrich's the Painted Drum, Patrice E.M. Hollrah
Submissions from 2011
Love and the Slippery Slope of Sexual Orientation: L/G/B/T/Qetc Sensibility in The Last Report on the Miracles at Little No Horse, Patrice E.M. Hollrah
Ecstatic Émigré VI, Claudia A. Keelan
Submissions from 2010
A Garden is a Frame Structure: Ecstatic Émigré V, Claudia A. Keelan
Ecstatic Émigré III, Claudia A. Keelan
Ecstatic Émigré IV, Claudia A. Keelan
British Historical Fiction before Scott, Anne H. Stevens
Submissions from 2009
Stretching Sexual Boundaries in Sherman Alexie’s ‘Indian Country, Patrice E.M. Hollrah
Ecstatic Émigré: A Column, Claudia A. Keelan
Ecstatic Émigré: A Concrete Memoir, Claudia A. Keelan
Virginia Woolf's Essays, Beth C. Rosenberg
Sacred Tropes: Tanakh, New Testament, and Qur'an as Literature and Culture, Roberta Sabbath
Submissions from 2008
Forging Literary History: Historical Fiction and Literary Forgery in Eighteenth-Century Britain, Anne H. Stevens
Appropriate This, Charles Whitney
Submissions from 2007
The Immanent image of history and fiction, Timothy Erwin