Award Date
1-1-1999
Degree Type
Thesis
Degree Name
Master of Arts (MA)
Department
Theatre Arts
First Committee Member
Jeffrey Koep
Number of Pages
43
Abstract
David Mamet's American Buffalo, Glengarry Glen Ross, and Speed-the-Plow explore the damage American business has done to the human spirit. The frontier myth has evolved into exploitative capitalism where competition becomes an obstacle for community and friendship. The characters in these plays try to establish and define their identities by their particular status within the business hierarchy. Unfortunately the nature of competition creates an environment in which the characters use each other's needs and vulnerabilities for their own gain. To openly express the need for love and community in this climate is to expose weakness. Fear of revealing such vulnerability prohibits Mamet's characters from accepting their real needs. The conflict between the need for community and the fear of rejection from society because of a weak position within the business structure relegates them to compromised versions of truth and the identities they seek.
Keywords
American; Buffalo; Claiming; David; Effects; Glengarry; Glenn; Human; Identity; Mamet; Myth; Plow; Relationships
Controlled Subject
Theater; American literature
File Format
File Size
1505.28 KB
Degree Grantor
University of Nevada, Las Vegas
Language
English
Permissions
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Repository Citation
Sattazahn, Lyn, "Claiming identity: The effect of the American myth on human relationships in David Mamet's "American Buffalo", "Glengarry Glenn Ross", and "Speed-the-Plow"" (1999). UNLV Retrospective Theses & Dissertations. 982.
http://dx.doi.org/10.25669/7voi-8nqu
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